My mind has become crowded with Venice
Its streets spoke out through my skull,
(As I'm sure you can see)
Labyrinthing prayers
In passageways shadowed between
windowed stonework
Whose terminus is often in water, where
echoes die away
I've no gondola to send them on
Past the quiet, past the lattices, past
the forgetfulness
Which requires that I retrace
Curves to the square.
Beside me always the hassle, always the
hustle,
Wheeling, ranting, raving, colors of
cloths
Clever spidering lacemaker's snare,
Piano's plunk across the piazza,
Glint, glance, gilt and gleam of glass,
Multitudes melded to one melancholy
Murano, corner to wall:
Trefoil sputtering lamp-lit stare of
the lion on the quay.
Gelato is a kind of baptism
For those who would not normally
confess;
Walking jeans and gauzy shoulders ply
the busy wilderness
In supposed effortless resistance and
all the signs suggest
At least you'll show something for what
you have seen
Art and its many lucid motives, or
madness,
Court and cathedral the mind.
Navigation and negotiation
Designate order of being,
Are displayed like nametags,
Fate experience and the balance of
trade in the city of trade.
Between my thumb and forefinger is
grasped
My pencil; between a pigeon feather and
my wedding ring
The hookah violin's recreational
Vivaldi, or
Scent of opera over the dark salt air
Between your thumb and forefinger
The futilely long nose
Of my mask.
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